Review sản phẩm
Những điều tuyệt vời nhất để xem trên Sky 4K: 24 lựa chọn số 1 trên Sky Q, Sky Glass hoặc Sky Stream
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Những điều tuyệt vời nhất để xem trên Sky 4K: 24 lựa chọn số 1 trên Sky Q, Sky Glass hoặc Sky Stream
Nếu bạn đang sở hữu Sky Q, Sky Glass hoặc Sky Stream cùng TV 4K, bạn đã có cơ hội trải nghiệm hình ảnh Ultra HD chất lượng cao. Với đăng ký Sky Multiscreen trên Sky Q, Ultra HD là tiêu chuẩn đi kèm. Trong khi đó, trên Sky Glass hoặc Sky Stream, bạn chỉ cần chi thêm £5 mỗi tháng để tận hưởng công nghệ này. Mặc dù không phải tất cả nội dung đều có sẵn ở định dạng 4K, danh mục phim và chương trình đang không ngừng mở rộng. Dưới đây là những lựa chọn hàng đầu mà Sky 4K mang đến cho bạn.
Oppenheimer
Christopher Nolan mang đến một bộ phim điện ảnh đầy ám ảnh và hoành tráng về nhà vật lý hạt nhân J. Robert Oppenheimer, người đứng sau sự ra đời của bom nguyên tử. Với diễn xuất xuất sắc của Cillian Murphy cùng hình ảnh ấn tượng được quay bằng phim IMAX, Oppenheimer là một tác phẩm không thể bỏ qua trên Sky 4K.
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Got Sky Q, Sky Glass or Sky Stream 4K TV? Ultra HD comes as standard with your Sky Multiscreen Sky Q subscription, and costs just £5-a-month extra with Sky Glass or Sky Stream, and while it doesn’t extend to everything available, the catalogue is steadily growing all the time. Here’s Stuff’s pick of the best that Sky 4K has to offer…
Oppenheimer
If you’ve seen any of Nolan’s films before, Oppenheimer‘s non-linear narrative will come as no surprise, although it’s far easier to follow than Tenet. In fact, you’re more likely to be thrown by the appearance of Craig from Hollyoaks, but it’s Cillian Murphy as the titular troubled scientist who steals the show. Well, that’s as long as you don’t include the massive bomb that goes off in the middle.
Stewart Lee: Basic Lee
All the Stewart Lee trademarks are here, particularly the dressing down he gives to late arrivals and the skewering of his stereotypical fan, but that’s exactly what makes the two-hour show so enjoyable. Stewart Lee revels in the fact that he’s a divisive figure and always has, so while Basic Lee is unlikely to win him many new admirers, it’s guaranteed to please his army of existing ones.
Barbie
It’s a film that really shows off the talents of your TV, particularly the vibrant scenes set in Barbie Land – an idyllic world inhabited by all the different types of Barbie and Ken, from Margot Robbie’s Stereotypical Barbie and Ryan Gosling’s Beach Ken, to the oracle-like Weird Barbie (Kate McKinnon) who sends the pair off on a mission to the real world.
But there’s more to Barbie than just pretty colours. Gerwig’s script (co-written with her own Ken, Noah Baumbach) is stuffed with sharp gags and knowing references, and while it could do with being about 20 minutes shorter, it’s much more fun than a glorified toy advert has any right to be.
Ferrari
Michael Mann’s imaginatively-named Ferrari tells the story of a troubled period in the company’s history, when its survival depended on a victory in the 1957 Mille Miglia – a dangerous endurance race from Brescia to Rome and back again. No prizes for guessing the ending, then, but this is also a tale of love, death, dedication and why you should avoid getting on the wrong side of Penelope Cruz.
For a film about cars there’s perhaps not quite enough four-wheeled action, and it can be difficult to pick up some of the heavily accented dialogue at first, but when those elegant machines do grace the screen it’s impossible not to fall in love with them.
True Detective: Night Country
Set during the almost perma-darkness that falls in the depths of an Alaskan winter, Night Country investigates the disappearance of a group of scientists from a remote research station, with Jodie Foster and Kali Reis playing the uneasy pair of cops working a case that opens all kinds of old wounds for the remote town of Ennis and its people. There’s more reliance on classic horror tropes here than in previous instalments, and some key moments in the climactic sixth episode don’t quite stand up to interrogation, but the performances from its leads and the hugely atmospheric setting make it a very watchable addition to the franchise.
Asteroid City
Set in a remote desert town during a junior stargazer convention, Asteroid City is actually a movie about the making of a documentary about a play, with narrative threads that weave between the lot. Even if you get lost among all that (and nobody will blame you if you do), the contrast between the pastel-coloured town and black-and-white scenes make for a brilliantly contrasting 4K experience.
The reasons why some people love Wes Anderson films are the same as the ones that cause others to hate them. Chances are you already know which camp you fall into, and if it’s the latter, Asteroid City will do nothing to change your mind, but one thing’s for sure: you’ve never seen a Jeff Goldblum cameo quite like this one.
Mission: Impossible – Dead Reckoning
It’s longer, too (just 11 minutes short of three hours if you watch all the credits), during which time Tom Cruise’s Ethan Hunt runs very fast, drives even faster, jumps off very high stuff, and puts a lot of very disposable baddies in hospital. It’s all in the name of a fairly ridiculous plot that centres on a self-replicating AI that’s powerful enough to allow whoever possesses a special two-part key to either destroy or control the whole world.
In a way, Mission: Impossible films are just like Wes Anderson ones, in the sense that you know exactly what you’re going to get before you watch one. But instead of Bill Murray being quirky, you get Tom Cruise saving the world – and when it’s this adrenaline-pumpingly enjoyable, who cares?
Sisu
Rather than following a Sami hitman called Juhani, the double-hard bar steward at the centre of Sisu is Aatami Korpi, who we first meet quietly digging for gold accompanied by his horse and dog. It’s not long before he runs into a bunch of German soldiers – and soon afterwards the massacre begins.
Bullets fly, blades pierce bone, and landmines get tossed like frisbees as more and more fascists become mincemeat at the hands of this near-silent but deadly prospector. If you like your violence bloody but cartoonish, Sisu is a 24-karat hit.
The Last of Us
The show’s Cordyceps-ravaged world is instantly recognisable as the one from the game, full of flesh-hungry Infected and ruthless gangs of survivors, and while its nine episodes stay faithful to the main narrative arc of the game, it brilliantly fleshes out some of the more secondary characters and adds a few extra tasty plot nuggets for fans to sink their teeth into. The real triumph, though, is the portrayal of Joel (Pedro Pascal) and Ellie (Bella Ramsey) and the way their relationship develops right up to that devastating ending.
Phantom Thread
His relationship with latest muse Alma is at the centre of the film, but there’s much more to Phantom Thread than just this unconventional romance. Stitching it all together is Jonny Greenwood’s brilliant score, while the costume and set design play a huge part in creating a rich and believable world for events to unfold in. Not a bad way for Daniel Day Lewis to end his Hollywood career.
Gangs of London
The pair were less involved in this follow-up season – and it shows. While it still has plenty of blood-spattered moments – the shootout in a posh Paris nightclub and an assault on one of the big cheese’s mansions spring to mind – it can’t quite reach the thrilling heights of series one, spending a bit too much time being all serious and not enough cracking skulls. Oh, and the name’s still rubbish.
Edge of Tomorrow
Cruise stars as Major William Cage, a combat novice who gets thrown in at the deep end in the fight against the invading hoard. But when he clocks that every time he dies he wakes up back where he started, Cage uses his unlimited lives to perfect his fighting skills and gradually gain the upper hand. Edge of Tomorrow is a lean, nimble blockbuster that doesn’t even have to rely on repeatedly killing Tom Cruise to keep things entertaining.
Gomorrah
Genny ended season four by going into hiding, but with Naples threatening to boil over and an old acquaintance apparently coming back from the dead, his self-imposed exile doesn’t last long.
Gomorrah’s appeal has always lied in its twists and turns, unfiltered violence and outrageous interior design – and there’s plenty of all three on offer here.
Interstellar
Matthew McConaughey plays Coop, a widowed astronaut-turned-farmer who blasts off into outer space in search of a new planet for humanity to settle on after blight causes a global famine and Earth starts to die. Of course, it’s not as simple as flying to the nearest wet rock and setting up camp, so prepare yourself for wormholes, gravity equations, and extra dimensional communication, but with a surprisingly human core.
Promising Young Woman
It’s this ambiguity that makes Promising Young Woman so watchable, especially when Cassie bumps into a former classmate and her unusual hobby escalates to something more personally vengeful. Of course, there are more wide-reaching, societal targets being skewered here too, not least the tendency to value a man’s career over a woman’s safety, but unfortunately it’s going to take more than one promising young woman to change that.
Mad Max: Fury Road
Tom Hardy plays the gruff, meme-worthy Max, who teams up with Furiosa (Charlize Theron) on what is essentially a two-hour car chase, albeit one with an armoured juggernaut being pursued by monster trucks, heavily-armed hotrods, and vicious biker gangs.
Fun fact: Fury Road’s main bad guy, Immortan Joe, is played by Hugh Keays-Byrne, who also appeared as Toecutter in the original Mad Max way back in 1979.
ZeroZeroZero
From the mountains of Calabria to the sprawling slums of Monterrey, via the oceans and deserts in between, this globe-trotting, time-hopping eight-parter is bleak but often breathtaking. Among the Heat-esque gunfights and deadly power struggles there’s also a surprisingly human touch, largely thanks to the excellent Andrea Risborough, with a pulsing soundtrack by Mogwai to top things off.
Ex Machina
To test whether Ava could pass as a human, Nathan invites one of his employees, Caleb (Domhnall Gleeson), to his secluded high-tech mansion, but it doesn’t take long before doubts about the whole endeavour start to creep into Caleb’s thoughts.
Alicia Vikander is unnervingly good as Ava, with scarily realistic special effects only adding to the feeling of unease, but do yourself a favour and don’t watch the trailer above until you’ve seen the film. It gives far too much away.
Jaws
That’s not to say the rest of the film suffers as a result. The increased resolution makes Amity Island look even more idyllic (as long as you don’t know what’s in the water) and Steven Spielberg’s direction is still a masterclass in tension that’s arguably never been beaten.
Avenue 5
Fortunately, series creator Armando Iannucci isn’t that lazy, so Avenue 5 is full of the typically inventive dialogue, memorable characters and couldn’t-make-it-up scrapes familiar from his previous work on The Thick of It and Veep. The first episode isn’t the strongest but once it gets into its stride Avenue 5 is much more than just Red Dwarf for the Tesla generation.
Chernobyl
Depicting a paranoid and secretive state in a crisis like nothing seen before or since, Chernobyl reconstructs the disaster with exquisite attention to detail. From the accident at the power plant itself to its devastating and far-reaching consequences, this is masterfully made TV. You’ll never look at a cement mixer in the same way again.
Bad Boys II
Sure, the script is massively cliched but the chemistry between Smith and Martin Lawrence still fizzes and it arguably captures Michael Bay at his brainless peak, blowing stuff up just because he can. In a time when everyone seems obsessed with superheroes and CGI, this guilty pleasure almost feels nostalgic.
E.T.
Spielberg’s sci-fi classic doesn’t need 4K to shine, but it certainly gives you another reason to watch a film you’ve almost certainly already seen more often than you visit some members of your extended family.
Bonus fact: the girl Elliott kisses in biology class went on to play the stripper in Under Siege a decade later. How about that for an unconventional double-bill for your next movie night?
Billions
But wait! Come back! It’s not all spreadsheets and interest rates. Yes, there’s a fair amount of baffling finance talk but it’s much funnier than you’d imagine, with the drama coming from the power struggle between these two big-bucks heavyweights. It’s classic cat ‘n’ mouse stuff, but on this occasion both animals are so rich they’re almost untouchable. Almost…
RoboCop
On the surface RoboCop is a fairly straightforward action movie, but, like the man himself, there’s something more complex going on under the surface. Long before Facebook, Google et al were founded, RoboCop was playing with ideas of corporate responsibility and the role of the media, and it did it with the help of a massive autonomous robot that malfunctions and goes on the rampage. Something for everyone, then.
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